“Everything was rainbow, rainbow, rainbow!”—Elizabeth Bishop, The Fish.
Dear tumblr,
I hope you’ll indulge me one more post about my story Rainbow Fish.
1. The painting at the top of this post is Rainbow’s painting from the story, more or less. My first girlfriend/first love painted it for me. And she did cite The Little Prince on the back. She insisted that it was a heart. But…It does look like an upside-down tulip. (Ana says it’s a pink mouse and a leaf.)
2. Fish are weird to me. I grew up in the landlockingest part of Illinois and I swear for the first half of my life I thought of fish as those frozen, breaded rectangles that showed up during the Easter season.
3. When I was ten I wrote a “novel” about scientists and their crazy experiments.
4. I read a lot of comic books when I was young. I see their influence here. At the top of this post there’s an image from The MAXX #5, in which The Maxx is chased by his fears, all are named Dave, and he carries a bowl with a talking fish. Of course my story ends with a guy carrying a bowl with a talking fish—and I think the bowl might very well come from this comic, because the “hard sci-fi” thing to do, nay the sensible thing to do!, is to have the fish in a proper aquarium with filters and thermometers. The whole 10 yards. But this is “comic book sci-fi” (if it is sci-fi at all, that is). Another favorite comic of mine was Neil Gaiman’s Sandman with Delirium and her floating fish (which says to me, the fish, they are surreal, they are the stuff of dreams.) And I think the Babel Fish from Douglas Adams’s Hitchhiker’s Guide to the Galaxy is in there a smidge as well. The idea that fish are concerned with communication.
5. Literary Influence: Frankenstein is referenced. So is Saint Exupery. I stole a line from Turgenev’s First Love. And a line from Elizabeth Bishop’s The Fish. You might think I took the whole thing from Bishop, but I didn’t read her poem until this weekend. (I’ll send $10 to whomever first finds the line from Turgenev or the one from Bishop.) (Not a joke.)
6. Drafts: There are three major versions of this story: The first draft from 2007. The MFA thesis draft in 2009. And this new version that I wrote over the past month.
6a. Before the new draft, I read The Art of Dramatic Writing by this crazy Hungarian named Lajos Egri. It’s written in a terrible 1940s American self-help style. It’s the book from which Andrew Stanton (director of Little Nemo) says he learned screenwriting. It helped me understand the main character’s motivations.
6b. I sent four different versions to Asymptote in the course of 4 weeks. Huge props to Asymptote editor Yew Leong Lee for putting up with this and commenting on all these drafts.
6c. I have posted the first draft online. It reads a little like Raymond Carver. The bad, early stuff from Will You Please Be Quiet, Please? Take a look if you want. It was the second story I workshopped as an MFA student. So compare the two drafts if you want to know what an MFA and a few years of reading and writing will do for you.
7. Playlist: Little Green by Joni Mitchell. Missing Persons by The Kinks. I Am the Cosmos by Chris Bell.






